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The twenty-eight lunar mansions, one of the core ideas of the Chinese understanding of the celestial sphere, had been known as a guide to celestial areas and specific times dating back to antiquity. By combining with the Chinese thought of yinyang wuxing 陰陽五行, the lunar mansions became far more indigenous in character; at first, astronomical zoomorphism was not common in Han cosmology, but it became more so through this process of indigenization and standardization, especially from around the eleventh century. This period can be described as a major turning point in the historiography of the lunar mansions in China in that a complete iconography consisting of relatively familiar animals, instead of sacred imaginary beasts, appeared in many textual and visual materials (especially Daoist examples). Starting in the Yuan period, this zoomorphic iconography also appeared on official ceremonial flags unrelated to divination or astronomy. This may suggest changing Chinese attitudes toward the lunar mansions. The wish to control a wild but redoubtable nature may have bestowed a particular secular terrestrial significance on celestial bodies.

Zoomorphizing the Asterisms: Indigenous Interpretations of the Twenty-Eight Lunar Mansions in the History of China