English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This article builds a framework for considering the place of contemporary performance groups in 21 st  century Bangkok. It grounds performance groups in ensembles of performance practices developed by groups as part of their unique performance cultures. The varied ensembles of performance practice of three such groups – the Pichet Klunchun Dance Company, the 8X8 Theatre Group, and the B-Floor Artist Collective – are embodied in these groups’ distinctive interactive performance styles and tied to the different creative spaces where they work. The groups’ artistic practices and their working spaces are produced within larger ecologies of performance spanning the urban landscape of 21 st  century Bangkok. The article suggests this framework as a richer way to study performance cultures in Thailand. Relating the performance landscape of Bangkok’s contemporary theatre scene to the embodied artistic practices of different groups shows how their unique performance cultures help to enliven the city’s distinctive cultural ecology of performance.

Playing with Practice Theory: Preliminary Remarks on the Work of Performance Ecologies in 21st Century Bangkok