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This article examines the key themes in Juan Eusebio Nieremberg’s  Partida a la eternidad  and its relationship to the Jesuit production of  ars moriendi  tracts in early modern Spain. Special attention is given to the intended readership of this and other similar texts, the focus Nieremberg places on the reading of devotional books and treatises, and the manner in which Jesuit death manuals came to reflect the emerging apostolic goals and the spiritual tradition in the Society of Jesus around the time of its first centenary. Here, the author highlights Nieremberg’s inclusion of imaginative and visual contemplations, his approach to condemnation and hell, and the rhetoric he develops around the joy and delight readers are invited to experience in the actual, or imagined, states of illness and dying.

Grave Matters: Juan Eusebio Nieremberg’s Partida a la eternidad (1643) and Jesuit Approaches to Death in Early Modern Spain