English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The article proposes that the short-lived science fiction series  Caprica  (2009–2010) espoused a rather atypical ideology that was based on the prominence of women and femininity in the narrative. Through women, the series merged science and religion, body and mind, human and machine and established a moral code based on respect for those usually “othered” in the genre. The narrative accomplished this by consciously employing and then re-arranging western gender stereotypes, which led to the emergence of a specifically feminine approach to science that was, amongst other things, also religious. This combination had subversive potential because of the series’ premise that God actually exists and is actively involved in human/cyborg affairs. Women emerged as points of contact on behalf of this God who pitted them against rationalized and universalized male science.

Masters of Cyber-Religion: The Female Body as God's "Interface" in the TV Series Caprica