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This book on Ethiopian art is of interest to all who deal with either Ethiopia or early Christian studies. Its late author, Robin McEwan, managed to frame the facts of the history of book illumination in the context of Ethiopian culture of the 18th and 19th centuries as a whole. Moreover, his commentary on the miniatures continuously refers to texts that preserve early Christian traditions of both commentaries on the Apocalypse and the life of apostle John. His wife, Dorothea McEwan who has now published his work, is herself a scholar who is very sensitive to such an approach. She is known, among other things, from her paper summing up ndings in the eld of Ethiopian illuminated manuscripts on the Apocalypse.1 So far, our knowledge of the Ethiopian exegetical tradition of the Apocalypse was basically limited to two commentaries, one in Ge’ez (Tergwame Qalamsis, translated from a lost Arabic original of Coptic origin somewhere in the 16th c.) and another in Amharic (Andemta).2

THE THIRD LEVEL OF ETHIOPIAN COMMENTARIES ON THE APOCALYPSE: ILLUMINATED MANUSCRIPTS