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This article proposes an innovative framework to explore large audiovisualarchives using Immersive Environments to place users inside a dataset andcreate an embodied experience. It starts by outlining the need for such a novelinterface to meet the needs of archival scholars and the GLAM sector, anddiscusses issues in the current modes of access, mostly restrained totraditional information retrieval systems based on metadata. The paper presentsthe concept of ``generous interfaces" as a preliminary approach to addressthese issues, and argues some of the key reasons why employing Immersive VisualStorytelling might benefit such frameworks. The theory of embodiment isleveraged to justify this claim, showing how a more embodied understanding of acollection can result in a stronger engagement for the public. By placing usersas actors in the experience rather than mere spectators, the emergence ofnarrative is driven by their interactions, with benefits in terms of engagementwith the public and understanding of the cultural component. The framework wepropose is applied to two existing installations to analyze them in-depth andcritique them, highlighting the key directions to pursue for furtherdevelopment.

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Towards immersive generosity: The need for a novel framework to explore  large audiovisual archives through embodied experiences in immersive  environments