English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

In this memoir—which is part diary, part scrapbook—Yve-Alain Bois sifts through his nearly half-a-century correspondence with the British art critic Guy Brett to recount their friendship and evoke the numerous exhibitions the latter curated as well as the many books and catalogues he wrote, from his publications on Kinetic art and Helio Oiticica in the 1960s to his pioneering forays into contemporary art in the global South from the 1970s on. (Four short texts previously published by Bois on Brett's work are interspersed in the narrative). Particular attention is given to the Filipino artist David Medalla and the Brazilian artist Lygia Clark, whom Brett championed all his life and whose work and tribulations are discussed throughout.

Angels with Guns: A Memoir on Guy Brett (and David Medalla)