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ion. Exemplary of this approach are Steve Krug, Don’t Make Me Think, Revisited: A Common Sense Approach to Web Usability, Third Edition (Berkeley, CA: New Riders, 2014); and Jef Raskin, The Humane Interface: New Directions for Designing Interactive Systems (Boston: Addison Wesley, 2000). 22. Jehane R. Burns, draft of article on Charles Eames for Polaroid Close-Up, in box 86, folder 7, Charles and Ray Eames Papers, 1850–1989, MSS83006, United States Library of Congress (LOC). The article appeared as Jehane R. Burns, “Did You Get Pictures? Charles Eames’ SX-70 Designs,” Polaroid Close-Up 12, no. 3 (1981): 6–11. In the published version all references to Polavision have been excised, perhaps due to the recent, widely publicized write-down. 23. On this topic, see Beatriz Colomina, “Enclosed by Images: The Eameses’ Multimedia Architecture,” Grey Room, no. 2 (Winter 2001): 5–29. As Colomina notes, for the Eameses, “Spaces are defined as arrays of information defined and constantly changed by the users. This is the space of the media. . . . The reader, viewer, consumer constructs the space, participating actively in the design” (22). 24. See Seb Franklin, Control: Digitality as Cultural Logic (Cambridge: MIT Press,

Instant Failure: Polaroid's Polavision, 1977–1980