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This thesis was organized and projected with the purpose to compare Soror Mariana Alcoforado’s compilation and transgression – or the collection to her accredited – to Sor Juana Ines de la Cruz’s compilation and transgression, given that they are both exceptional characters of the Iberia-American baroque. Both will be approached by the understanding of their writing model, and also by the perception of their work of art based on the legacy left by them. Moreover on this text will be discussed the life style that the female convents of Portugal and New-Spain provided to its nuns, the profundity and the persistence that the XVII century carried out its political views on sexuality, and the critique treasure left by Soror Marina and Soror Juana. By conducting the reader to the Cartas portuguesas, to the Carta atenagorica, and to the Respuesta a Sor Filotea, to La carta and some other few poems, the example of the artistic creation and the feminine intellect will be exposed and explicated. This guidance will allow the characterization and the restoration of the dynamic of the feminine trajectory, and its voice within a masculine literature scenario.

Matrizes para um estudo da literatura feminina: uma leitura comparativa de Sóror Mariana Alcoforado e Sor Juana Inés de la Cruz