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This work aims to analyse the power relationships allegorized in the novel Todos os Nomes (All the Names), written by the Portuguese writer Jose Saramago. Using mainly Bakhtin's and Foucault's theories about the process of modern subject constitution (that who recognizes himself as owning his own single identity, though he also recognizes the use social forces and power instances make of him as "a teachable and ductible body"), this work focuses on the social and functional "panoptical "architecture of the register office ("Conservatoria"), whick keeps the workers in a rigid but productive discipline, under the watching eyes of the "Manager". But it also focuses on "Sr. Jose's transgressive attitudes along his investigatory route to discover the unknown woman's identity. And it also investigates the unmasking of the hegemonic power by means of the Bakhtinian carnavalization procedures which have the power to relativize the official conceptions of reality. This analysis aims to prove that there's an inextricable link between the institutional forces and the subject who's submitted to this power, so that the development of one's consciousness causes a direct consequence on the hegemonic power forces, with subtle changes in the power relationships.

Um viajante em busca do essencial: a personagem entre a aparência e a essência