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Translating humor is always a complicated task, because the reception of the comic depends not so much on the linguistic form in which it is expressed, but mainly on the context of the receiver (i. e., the reader) in the corresponding culture. This requires the transfer of other strategies meant to preserve the comic effect. In this paper, we analyze the strategies of translating the novel Zapovednik, by the Russian writer Sergei Dovlatov, into French, English and Brazilian Portuguese, proposing our translation variant. Dovlatov always worked with humorous prose, and one of the features of his writing is a strong connection with the Russian-Soviet culture. In translation, these peculiarities may lose a part of their expressiveness, especially their humor. Indeed, this presents the biggest challenge for the translator of Dovlatov’s works.

Zapoviédnik, de Serguei Dovlátov: traduzindo a cultura e o riso