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This article presents the introduction, translation notes and general notes of  a new Portuguese translation of George Bernard Shaw’s Pygmalion. Besides the usual presentation and discussion of translation problems and their solutions, historical data on the play and its role in Shaw´s life and within his work is briefly considered. We further point to the practical application in this translation work of some concepts developed by theorists of the translation of theatre texts, such as Bassnett (1985) and Betti (2003). We also point out that Pygmalion’s unique condition — a play where language figures with the prominence of a main character, with lines that frequently require for their construction an effort akin to the drawing of an illustration — allows one to recognize in the translation work situations “between the verbal and the visual” as noted, in a different translation condition, by Oittinen (1995). Also, Pygmalion highlights the “cooperative strategy” of  Bassnett (1985) as, by far, the most convenient strategy for the translation of theatre texts.

My Fair Trade: a introdução e algumas das notas de uma nova tradução do Pigmalião, de G. B. Shaw