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Este trabalho se utiliza de dois estudos de caso - Viagem to Italy (1953), de Roberto Rossellini e Sandra (1965), de Luchino Visconti para discutir questoes politicas, historiograficas e esteticas [que interferem] no relacionamento entre o neo-realismo como cinema da nacao italiana e o "cinema de arte europeu" como uma instituicao desnacionalizada.

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In Pompeii and Volterra the Earth Really Trembles: De-Territorialisation, European Art-Cinema, and the Fate of Neorealism in Roberto Rossellini's Journey to ltaly and Luchino Visconti's Sandra