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The availability of religious services audio and video material has allowed Brazilian churches to get to know and incorporate contents from various sources, especially musical ones. This process has always occurred, but it has been accelerated with the advent of social networks. Technologies tend to cause changes in the liturgy by introducing aesthetic elements that are comparable to modern forms of idolatry. The theoretical framework is based on works by Timothy Keller (on his classification of liturgical manifestations), Pierre Levy (on the behavior of a culture in face of new means of representation), Alberto Klein (on what happens when visual media enters the field of the sacred) and Magali do Nascimento Cunha (for studies on Brazilian gospel culture). The conclusions indicate that this is a phenomenon still in development, but with the potential to provoke tension in the so-called historic churches.

Mídia, música e liturgia: influências interpostas no culto evangélico brasileiro