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The present article proposes to analyze the first site-specific work of concrete by Donald Judd, Untitled (1971), constructed in the site of Philip Johnson ́s Glass House. Through the understanding of Judd’s work within the context of minimal art, coupled with Johnson’s compositional intentions for the object implanted in the historic core of his iconic glass residence, it is intended to speculate on the crosses and overlaps of both. The different perceptions of space and experience that drive the authors, complement each other to create the object that culminates in the autonomous and complementary coexistence of Judd Johnson times.

Sobre espaço e experiência: um olhar sobre a obra Untitled (1971) de Donald Judd na Glass House de Philip Johnson