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Cotrim, A. A. Realism on Georg Lukacs’ writings from the thirties: the centrality of action. 2009. 391f. Thesis (Master Degree) – Faculdade de Filosofia, Letras e Ciencias Humanas. Departamento de Filosofia, Universidade de Sao Paulo. This research aims to analyze and discuss Georg Lukacs’ account on artistic realism as presented in selected aesthetical-literary writings from the thirties. It pursues the course of his acquisition of theory of realism during the decade focusing on the process of appropriation of action as a chief literary element, in its organic relation to the typical. Once the course toward the artistic perspective of realism starts in the end of the twenties with his turn to Marxism, ontologically marked, this work seeks to disclose the connections between this course and the process of his apprehension of Marxian thought, that is, the founding determinations of social being brought out by the great German revolutionary. This study concerns the meaning of Lukacs’ Marxist turn and the first aesthetical developments of his mature writings. Therefore, it examines the objectivity of artistic reflection, the objectivity of form, partisanship, the centrality of action and typicality, the defense of ascendant bourgeoisie literary heritage, portrayal and narration. In the context of positive debate on the theory of realism, this research also approaches the critique of reportage novels, “tendency” art and naturalism, as well as aspects of ideological decay of bourgeoisie and the “triumph of realism”.

O realismo nos escritos de Georg Lukács dos anos trinta: a centralidade da ação