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In 1967, João Guimarães Rosa’s Tutaméia: Terceiras Estórias was published. Defining this prose work as “estória” — narrative form closer to the anecdote and opposed to the great historiographical narratives —, Rosa challenges the concept of history from the beginning. In Tutaméia, the “sertão mineiro” is not merely a landscape of privations which could be better expressed by mythical discourse; in fact, it has its own history, told in Tutaméia’s extremely hermetic texts founded on memory and invention. This dissertation has departed from documental, philological and empirical research to give interpretation to the “estória” texts and to situate them in the context of “sertão” modernization. The aim of this research is to find a proper place for history in Rosa’s works. Key-words: History, Modernization, Tutaméia , João Guimarães Rosa, Memory, Invention

Mãos vazias e pássaros voando: memória, invenção e não-história em "Tutaméia: terceiras estórias", de João Guimarães Rosa