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Imagery and poetic representations of urban landscape in social media networks This dissertation aims at investigating visual narratives produced by mobile cameras and posted on social networks, specifically Instagram. Exploring how mobile device technology, coupled with the movement of body and eye, contributes to new aesthetic of production on everyday imaging. The city of São Paulo comes as the study’s context and explores new ways to register and to relate to the urban space stemming from the production and posting of images online. The research focuses on poetic bias of the produced images mediated and shown on Instagram and investigates the context and nature of the images on social networks, which are presented in a piecemeal fashion, in a continuous process of posting through endless vertical scroll on the app’s user screen. The work will explore the possibilities of language construction from artmedia point of view, and its respective technological and aesthetic attributes. In addition, it will investigate how editing and subjectivity of these narratives take place, built in real time, inquiring the role of the author, of the curator and of the editor when the process becomes collaborative. The mobile image will have images brought through an authorial essay; a compilation of narratives gathered in the notebook Urban Imagery, made with mobile images from collective or individual publications and appropriations, organized from algorithm data tagging by the “#” (hashtag preceded by keyword) and pins of geolocation. Such publication is both the theoretical and practical object of this research study and represents some places of the city of São Paulo through the data aesthetics. From this material — and its interdisciplinary overlaps — we provide the theoretical basis to deepen into the poetic language in visual narratives of networks.

Imageria e poéticas de representação da paisagem urbana nas redes