English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The article analyzes the growth of Afro-Uruguayan candombe in a country ―and, especially, a city, Buenos Aires― that has historically seen and considered itself as “White-European.” The Uruguayan candombe was first cultural heritage of Afro-Uruguayan immigrants in Buenos Aires; later, this practice went beyond the migrant community, and it was taught and transmitted to various social sectors. It is currently part of the youth culture of an increasing number of cities in the country. The paper focuses on the re-appropriation and re-signification of Afro-Uruguayan candombe by young, middle-class, socially white Argentineans. It aims to understand the deployment of “black culture” beyond socially black groups ―a scantly studied topic―, employing theoretical perspectives from “Afro-Latin American studies,” “youth cultures,” and “new social movements.” The paper shows how Afro-American cultures, far from being frozen assets, are subject to permanent constructions of meaning and ways of interpellation that reach far beyond the populations that originated them.

universitas humanistica

Apropiaciones y resignificaciones de las “culturas negras”: la práctica del candombe afrouruguayo en sectores juveniles blancos de Buenos Aires (Argentina)