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This article problematises the representation of subaltern resistance in practices of human rights. It critiques the normative framing of the subaltern by those practices, a framing which it argues contributes to their subjugation. Against such framing, the article follows the 2011 Egyptian uprising through the film  Rags &amp; Tatters , offering a practice of freedom beyond human rights and through self-recollection.

Subaltern subjectivity and embodiment in human rights practices