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Discussions concerning the establishment of a ‘House of History’ that would collect and exhibit ‘Austria’ can be traced back to the founding of the Republic of Austria in 1919 and are currently resurfacing in the country’s cultural community. Hitherto, these debates have always been concerned with those specific aspects of Austrian history that should be portrayed, the kind objects that could best exemplify them, the locations in which the project itself should be pursued, and the mediation techniques to be used for this purpose. No consideration has so far been given within this discourse to the theoretical and practical considerations pertaining to the collection and exhibition of objects from a museological standpoint. The present article approaches the history of collecting and exhibiting Austria from the perspective that the sum of all the museums, memorials, exhibitions, and cultural landscapes in Austria forms a dislocated ‘House of Austrian History’.

Collecting and exhibiting ‘Austria’: a museological perspective on collections from the House of Habsburg to a ‘House of Austrian History’