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The birth of a modern theory of restoration of ancient sculpture, as well as the rise of the restorer as a professional figure, is traditionally fixed at the point when the theories of Johann Joachim Winckelmann encountered the restoration practices of Bartolomeo Cavaceppi. This new approach was completely different from normal practice a century earlier, when Bernini was restoring the Ludovisi Ares and Orfeo Boselli wrote, in his treatise of the  Osservazioni , that the replacement of missing arms and legs was ‘necessarissimo’.

‘Per accompagnare l’antico’: the restoration of ancient sculpture in early eighteenth-century Rome