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November 1909 the Museum of Fine Arts in Boston inaugurated its second home, in a grand neoclassical-style building, and premiered innovative exhibition designs based on research in European museums. Henry Clay Frick soon displayed fifty of his paintings in the museum’s Old Masters gallery – the only occasion in his lifetime that he would lend such an expansive selection of paintings from his collection to a civic museum. Archival discoveries offer a reconstruction of the historic moment that brought together the new Boston museum, Frick’s paintings and an engaged public, shaping Frick’s vision of his collection’s legacy.

Henry Clay Frick and the Museum of Fine Arts, Boston: the blockbuster exhibition of 1910