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Unashamedly intellectual, idiosyncratic, and often contrarian, Mary McCarthy and Brigid Brophy stood out among late-twentieth-century female writers, not only as public intellectuals but for the way their writing and social commentary cut against the grain on pivotal issues of progress, freedom, and aesthetic form, exposing and often satirizing the hypocrisy of their male contemporaries. From the mid-twentieth century onward, on both sides of the Atlantic, the public intellectual took on a prominent and sharply defined role; Brophy and McCarthy developed complementary, dissident positions that provided a counter-model to the mainstream liberalism of such male intellectuals, opening an alternative space for female writers in the late twentieth and early twenty-first century. By unpacking their shared aesthetic practices and values, including the influence of a cultural Catholicism and an intense investment in the Italian Renaissance, this essay uncovers their role in establishing an alternative model of public intellectual that continues to influence the status of female writers and thinkers.

Renaissance Women: Brigid Brophy, Mary McCarthy, and the Public Intellectual