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This essay frames Ali Smith’s novel  Girl meets boy  (2007) as a ‘queer translation’ of Ovid, Metamorphoses 9.666-797. I argue that Smith’s presentation of a contemporary genderqueer Iphis and Ianthe not only fictionalizes the critical argument proposed by Judith Butler’s  Gender Trouble , but uses  Gender Trouble  as a queer translation manifesto. Reading  Girl meets boy  through this Butlerian lens, which foregrounds multiplicity and insists on the politically subversive potential of repetition, I show how Smith translates, re-translates, and re-writes Ovid’s text, to make queer identities that are made to disappear in the Latin ‘loosed’ in translation. I also propose a new reading of the conclusion of Ovid’s episode informed by Smith’s queer translation. I discuss Smith’s politicized use of repetition throughout the novel to produce queer translations which disrupt the surface homophobic discourse of the original text; and I situate the novel’s publication within its historical political context — before the legalization of same-sex marriage in England, Wales, and Scotland. In conclusion, I argue that a queer translation practice, as evidenced by Smith’s novel, is an activist project which combats homophobic discourse (ancient and modern) and allows ancient queer bodies and identities to retain their multiplicity in translation.

‘Reader, I married him/her’: Ali Smith, Ovid, and queer translation