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This essay is an interim report on a long-term study of the chimera of the great American novel—the dream either of writing it or seeing it written. The project has three main facets: a chronicle of the dispensations of authorial, critical, and readerly pronouncements (a story with a distinct beginning, several middles, and no end); a historical-formalist comparative examin- ation of several dozen aspirants and/or nominees; and a nation-and-narration metaperspective conceptualizing "American" narrative, in broadest terms, as part of a world system inflected by what Pascale Casanova calls the "Herder effect" (78- 81), the pos- tulate of each nation speaking in its own voice, within and against which its writers must thereafter contend, even such resolute cos- mopolitans as James Joyce and Samuel Beckett.

The Unkillable Dream of the Great American Novel: Moby-Dick as Test Case