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In Dante’s poetic symbolism, there are two main beloveds who guide and protect him. The first and most important, of course, is Beatrice, and it is she whose love saves him and makes possible the whole journey of his soul through the entirety of the Divine Comedy. As Etienne Gilson has suggested, from the standpoint of the possibility of spiritual beatitude, the passion for Beatrice is self-sufficient: “To give to Dante what he expected from her, Beatrice had only to exist.” Indeed, Beatrice’s very name signifies her function, a fact that may also be interpreted as an important indication of Dante’s intention to describe the world as if through a language in which there is no distinction between sign and signified, between word and thing—that is, as if he were using a language

Dante’s Understanding of the Two Ends of Human Desire and the Relationship between Philosophy and Theology