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This article explores how the techniques of surviving Atlantic slavery leave legacies of care, notably in the practice of the  jardin créole  (creole garden) as a counter-plantation practice of mutual distribution. By taking up Édouard Glissant’s theorisation of the  jardin créole  in Manthia Diawara’s documentary,  Édouard Glissant: One World in Relation , the author shows how Diawara’s staging, filming and editing of Glissant’s remarks amplify how the  jardin créole  functions as a care web. In its visual dialogue with the  jardin créole ,  Édouard Glissant: One World in Relation  demonstrates the role of documentary film in illuminating the ethics of care.

Care webs and the creole garden in Manthia Diawara’s Édouard Glissant: One World in Relation