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This essay presents the work of David Friedman(n) (1893–1980), a renowned Berlin artist whose successful prewar career abruptly ended when Hitler came to power. He was banned from his profession, chased from his home, and his first wife and daughter were murdered. The Nazis looted his work and destroyed his promising career. Friedmann survived the Lodz ghetto and Auschwitz to paint again. First shown in Český Dub, Czechoslovakia on January 27, 1946, then in Western Bohemia, Prague, Jerusalem and Tel Aviv, this cycle was one of the first exhibitions of Holocaust art in the world. Friedmann's exhibitions at former Sudetenland towns in Western Bohemia were utilized as a ‘denazification’ tool by local education councils. Announcements and posters invited Slav nationals to a celebratory opening and viewing of the exhibition – with compulsory attendance for ethnic-Germans over the age of fifteen years. Every visitor paid admission. Germans failing to appear did not receive their ration cards. Town officials gladly offered the necessary exhibition halls, for it was in their own interest to show to the Germans still living there, scenes from the ghetto and the concentration camps, by the hand of an artist as witness. When asked, David Friedmann explained his paintings to Sudeten Germans unwilling to believe their countrymen had perpetrated such atrocities against the Jews. Friedman translated his haunting memories into more than 100 works and titled his series, ‘Because They Were Jews!’ Personalized descriptions supplement his artwork creating a singularly detailed pictorial and written record of the Holocaust. Friedman continued to fight antisemitism and racial prejudice by educating the public with his Holocaust art exhibitions.

‘Because They Were Jews!’ The Postwar Artworks of David Friedmann as Eyewitness Testimonies