English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Plus monthly

Global: Zendy Tools annual

Global: Zendy Tools monthly

Global: Zendy Free Plan

Virginia Woolf continued her quest for peace, resisting the brutality of war, until the end of her life. Woolf’s contemporary, the English painter Jessica Dismorr, similarly uses her art to protest patriarchal and militaristic modes of consciousness so that we might “think peace into existence.” In this essay, I suggest an interdisciplinary approach to engaging with World War II era feminist/modernist artists’ responses to the blasts of war through the lenses of Woolf’s essay “Thoughts on Peace in an Air Raid” (1940) and Dismorr’s series of paintings  Related Forms  and  Superimposed Forms  (c. 1936-1939). Both female modernists reject the aggressive, patriarchal, militaristic male roots of war in favor of creating alternatively nurturing, communal, and even utopian emblems to peace.

“Thinking peace into existence”: Virginia Woolf and Jessica Dismorr