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Either by default or design, studies of literary modernism seemingly remain indifferent and at times antagonistic toward religious principles and practices, particularly in discussions of women’s writings. In this essay, I seek to bridge the gap between modernism and religious studies by conducting a close textual study of Gertrude Stein’s,  The Making of Americans: Being a History of a Family’s Progress (TMOA) . Conducting close, comparative readings and analysis of Stein’s novel to tractates of the ancient Judaic text, the  Mishnah , overlapping and intersecting themes and topics, as well as language mechanics and structures, are revealed. I propose that in  TMOA , Stein composes from a Modernist Jewish Feminist perspective based in her own history and heritage. Engaging with her multiple positions of subjectivity, as a Jewish, American, woman, in  TMOA , Stein develops female character types that challenge and advance contemporary discourse on gender constructs.

Mishnaic modernisms: Gertrude Stein’s The Making of Americans: Being a History of a Family’s Progress as a work of modernist Jewish feminism