English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Plus monthly

Global: Zendy Tools annual

Global: Zendy Tools monthly

Global: Zendy Free Plan

This article proposes three stories that exemplify different metaphors, mechanics, and practices of real-time lighting design. Starting with the example of cybernetician Gordon Pask’s Musicolour, the article proposes a cybernetic-based model of control that favors principles of human–machine co-operation. Then, the analysis of the collaboration between a lighting designer and a multimedia artist illustrates the need for and challenges of radical interdisciplinarity during the production of a stage performance. Finally, the description of a contemporary multimedia installation demonstrates the principles of an aesthetic of lighting grounded in machine-based behaviors. Through those three stories, this article aims to initiate a discussion on the hybridization of lighting with real-time computing, a process that significantly transforms the practice of artists and lighting designers but remains understudied.

Real-time lighting design: a pioneer, a work, and a collaboration