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As a western canonical text, Shakespeare has been translated and staged in East Asia in various ways and often adapted into traditional performance styles to counterbalance its western textual canonicity with the authenticity of eastern performative forms and styles. Negotiations between west and east, which reflect the colonial and postcolonial experiences of the region, have been a critical focus of academic investigations.

Translating erased history: Inter-Asian translation of the national Changgeuk company of Korea’s Romeo and Juliet