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The popular media coverage of South African track and field star Caster Semenya showcases how colonialist discourses shaped the sexed, gendered, and racialised meaning of her public biography. Yet, when researchers study Semenya as their research ‘object’, does this act of inquiry reproduce the knowledge constructs of Western coloniality as well? In this article, we consider both issues by conducting and reflecting on our poststructuralist analysis of popular media coverages of Semenya’s athletic career, with specific attention to her dealings with gender-verification testing. We examine the discursive construction of Semenya’s public biography by popular newspaper outlets in the United States and South Africa from 2009 to 2019, arguing that both geopolitical locales maintained Western social binaries and scientific discourses concerning Semenya’s sexual identity in similar, yet distinct ways. Drawing from the poststructuralist methodology of intertextuality, we reflect on its capacity to deconstruct the colonial discourses shaping the cultural meaning of a non-Western athlete of colour such as Semenya, as well as its relation, as a method of knowledge production, to the epistemological legacies of Western coloniality. We also contend that by approaching Semenya as the ‘object’ of our poststructuralist framework, our analysis implicitly reproduced, rather than challenged, the Eurocentric subject/object framework of modern (Western) epistemology. Thus, our purposes are empirical, methodological, and reflexive as we seek to contribute to critical analyses of the constructed cultural meaning of celebrity athletes while subjecting our own research assumptions and frameworks to poststructuralist and decolonial deconstruction.

Beyond Caster as object? Examining media constructions of Caster Semenya through decolonial thinking