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This article looks at three graphic memoirs and considers the specific ways in which the comic medium allows for the representation of complex and non-verbal interactions between the members of a family. The selected texts show how the sequencing of panels in a comic can depict the unspoken affects that circulate within a family unit. The comic medium seems to be apt for representing the distributed consciousness of a family, and also for splintering a character temporally so that older and younger versions of the character can be put into dialogue with each other in a family context.

Three graphic memoirs and the “family mind” in action