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This article considers three recent graphic memoirs that focus on Italian transnational migration and its legacies: Elizabeth A. Povinelli’s  The Inheritance , Joshua Santospirito’s  Swallows (Part I) , and Pia Valentini’s  Ferriera . We adopt the term carto-graphic memoirs (Mitchell  2007 ; Norment  2012 ), to describe graphic novels that aim to literally and metaphorically map transnational lives, identities, and memories, through complex artistic processes of autobiographical (re)orientation, drawing, storytelling, and intellectual reflection. Dominant narratives of Italian migration redeem the struggle and shame of migration through individual success, upward mobility, and racial ‘whitening’. These three works challenge stereotypical representations of Italian migration, and Italian hyphenated identities, focusing instead on geographical, historical and autobiographical fragments that come together on the page to sketch provisional and fragile, yet emotionally and intellectually powerful patterns. Such patterns reveal histories and geographies of racism, class exploitation, violence, trauma, but also histories of physical, existential, cultural, linguistic and intellectual resistance, exchange, and creativity. Each of these memoirs locate Italian migrants and their descendants at the intersection of traumatic histories and geographies of nationalism, colonialism, racism, sexism, and class exploitation. In doing so, they provide an extraordinary opportunity to rethink the relationship between transnational histories and individual lives.

Mapping transnational lives: patterns of dislocation and reorientation in contemporary carto-graphic memoirs