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How do we win the fight against fossil capitalism? What role do cultural institutions such as museums have in this struggle? Is it possible to liberate powerful cultural institutions from their colonial histories and reactionary boards of trustees? This essay analyzes the recent work of two collectives that have fought to transform cultural institutions. The Natural History Museum has sought to infiltrate and commandeer museums of natural history, opening them to radical currents in the natural sciences and to Indigenous water protectors. Strike MoMA, for its part, engaged in a mapping and denunciation of the role of the art museum in a nexus of extractivism. The two collectives are often counterposed, but this essay argues that they should be seen as complementary initiatives to win space for radical cultural production in an age of extractivism.

The work of art in the age of extractivism