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This article considers André Gregory’s transition from the acclaimed “physical theatre” produced with his company the Manhattan Project to a signature form of static performance circumscribed by stillness and poetic declamation. Gregory’s 2020 book  This Is Not My Memoir , written with Todd London, offers complementary lineages that have shaped Gregory’s approach to theatre. His early career reflects his progression through a pedigree defined by his firsthand study of Brecht and Grotowski, while his later work mirrors a conscious channelling and revivification of a genealogy back through Grotowski to Meyerhold – whom he would maniacally impersonate – and Stanislavski.

Stillness and André Gregory’s Meyerhold