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This paper analyses the juvenile career of Julie Andrews who was a child performer of considerable note in her native Britain during the immediate post-war period. Possessed of a remarkably developed singing voice, Andrews was feted as a musical child prodigy, and she performed widely in variety and radio as ‘Britain’s youngest singing star’. In an era of profound disruption, Andrews’ popular image as national  wunderkind  served – as the myth of the child star so often it does – as a resonant cultural fiction for the articulation of deeply felt ideological concerns and the fantastic reconciliation of social and emotional anxieties.

‘Prima donna in pigtails’: reading the child stardom of Julie Andrews