English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

Recognising his association with Australia over the course of decades, this essay explores how Sir David Attenborough’s programmes ‘remake’ Australian nature for global audiences. It examines not only Attenborough himself, but offers equal weight to the human and nonhuman world he brings to audiences. Offering an examination of ‘blue chip’ natural history programming and the two series that bookend Attenborough’s work as a presenter ‘in’ and ‘of’ Australia –  Quest Under Capricorn  ( 1963a ,  1963b ,  1963c  and  1963d ) and  Life in Cold Blood  ( 2008a ,  2008b ), it is attuned to historical and contemporary cultures of colonisation and how these are located within the values and practices of blue-chip natural history programming.

Historicising David Attenborough’s nature: nation, continent, country and environment