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This article examines how  Itaewon Class  ( Itaewon Keullasseu , JTBC, 2020) employs melodrama as a mode to recognize racial injury in the form of cathartic pathos on the character of Toni. This representational strategy renders Toni’s Blackness less legible to construct the series as quality, diverse, and progressive while failing to tackle the cultural specificity of the Black Korean experience. Despite the growing visibility of Black entertainers and the use of Blackface in Korean popular culture, which have been the subject of controversy and scrutiny, there is a dearth of scholarship that analyses the representation of Blackness in contemporary Korean media. Drawing on industrial and textual analysis, this article explores how the illegibility of Toni’s Blackness is used to obfuscate dominant representations of Blacks in the past with ties to U.S. military occupation. The cultural specificity and legibility of Blackness as a signifier of racial difference is disguised under the exploited melodramatic narrative of mixed-race children’s search for their biological father. The article also argues that  Itaewon Class  aims to obscure antiblackness embedded firmly in Korea’s racialized past involving Black Korean children, while calling forth racial incidents and Black victimization to envision a new modern Korea.

Melodramatizing racialized Korea: the impasse of Black representation in Itaewon Class