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Critics have long evaluated the anonymous treatise on versification nestled in the  Cancioneiro da Biblioteca Nacional— often called the  Arte de trovar —against the roughly contemporaneous  artes poeticae  composed in  langue d’oc . While our understanding of the treatise undoubtedly benefits from comparative readings, I argue that its perceived deficiencies, including its sui generis approach to poetic genres, may reflect specific late medieval literary-critical considerations. By emplacing generically, socially, or sonically aberrant compositions within practices of performance, reading, and anthologization, the treatise helps legitimate the  cancioneiro  in which it appears and perhaps the  cancioneril  enterprise writ large. In the appendix, I provide the first full-length translation of the  Arte de trovar  into English.

Descriptive poetics and the Arte de trovar in the Cancioneiro da Biblioteca Nacional