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This paper argues that brahmanical conceptions of India centered on  Aryavarta  and structured by casteist logics undergirds the hegemony of north India by provincializing the south and its lowered-caste inhabitants. I term this phenomenon northernism, which renders the idea of India as synonymous with a brahminized rendering of north India. Drawing from Jyoti Nisha’s elaboration of  Bahujan  spectatorship, I develop Dravidian spectatorship as a methodology to analyze a Bollywood film as a representative text that elucidates northernism. I conclude the essay with a call to center casteism as a first step towards understanding different oppressions constituting Indian society.

Indian or south Indian? The casteist roots of northern hegemony