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The article examines the uses of visual culture and visual representations of time in two major public anniversaries in nineteenth-century colonial Southeast Asia: the 35 th  anniversary of Singapore in 1854 and the 250 th  anniversary of Batavia (now Jakarta) in 1869. The authorities in these two major colonial cities, capitals of the British Straits Settlements and the Dutch East Indies respectively, made use of these occasions to celebrate colonial rule, but also to project specific and contrasting messages to their intended audiences. These messages were embodied in a range of visual cues, representations, and events throughout the anniversary programmes, including images, sculptures, decorations, architecture, theatrical performances, and balls. Analysing this range of visual materials and focusing on the fleeting and spatially specific experience of the ceremonies rather than durable material representations, this article shows that the two anniversaries embodied strikingly different conceptualisations of historical time and imperial self-fashioning: one broadly presentist and forward-looking, the other far more past-oriented. Connecting these cultural differences to the diverging historical circumstances of the two colonies at the time, the article argues that imperial visual culture, especially in relation to practices of commemoration, was both global and transnational in its re-employment of metropolitan models on the one hand and highly locally specific on the other, responding to needs that were specific to the time and the place.

Putting imperial time on show: visual culture in the mid-nineteenth-century anniversaries of Singapore and Batavia