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As the daughter of immigrants, a member of Italy’s most maligned ethnic minority, and raised in a strict patriarchal culture, film-maker Laura Halilovic provides a distinctive perspective on the stigmatization of Romanies in Italy and demonstrates a complex understanding of her own position within her tradition-bound community. This article analyses the tensions that emerge in the configuration of the central female figure in her 2009 documentary  Lo, la mia famiglia rom e Woody Allen  (Me, My Romani Family and Woody Allen), and autobiographically inspired 2014 feature film  Lo rom romantica  (Me, A Romantic Romani Woman). Whereas the documentary can be read as a personal expression of political protest, the feature film is less explicitly confrontational. Constructing an intimate portrait of a social group that is racialized and ostracized by the dominant population, both films explore dilemmas that cut across issues of ethnicity, citizenship, gender, and generation.

Anti-gypsyism, intergenerational conflict, and intersectional dilemmas in the films of Laura Halilovic