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This article explores aspects of the Greek crisis through the reception of its biggest blockbuster film  Ένας άλλος κόσμος  [ Worlds Apart ] by Christopher Papakaliatis (2015). Based on articles, interviews, reviews and virtual ethnography findings, it argues that before the crisis Papakaliatis’ work had largely encapsulated through millennium’s careless life politics. During the crisis, however, Papakaliatis shifted to political topics, combining emotive and anti-austerity rhetorics with pretty aesthetics and abundant referents to the pre-crisis prosperity. Blending aesthetics of the leisurely 2000s with the (re)politicized 2010s Papakaliatis attracted mixed audiences, and intrigued viewers who were previously reluctant to his work. Hence, he became one of the few 2000s pop icons who survived in the crisis era.

‘The storyteller who survived’: the Greek crisis through its biggest blockbuster film Worlds apart by Christopher Papakaliatis (2015)