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Based on a satirical  comics , emblematic of the pre-May 1968 period,  Le retour de la colonne Durutti , produced in 1966 by André Bertrand, someone close to the situationist movement, this article returns to the practice of diversion as an artistic modality with subversive claims, and in that very sense “humorous.” It turns out that the principles on which situationist diversion is based, that of the arbitrary and non-hierarchical relationship to cultural materials of all kinds (Debord, Wolman), or that of their “updating” and “revaluation” (Jorn) are also those that according to Hegel marked the emergence of modern art, qualified by the latter as “the art of mood and humour.” From the attitude of emancipation of the modern author in the face of his poetic materials which characterizes the “subjective humor” of which the philosopher spoke, we pass with the situationist diversion to a form of guerrilla warfare of meaning, to humor as game and critical weapon against any form of oppression and repression, and at the same time, desire to reiterate the sublime and liberating “absolute revolt” as advocated by Isidore Ducasse.

Si vous vous croyez du génie … L’humour situationniste dans et contre l’art et la poésie modernes