English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This article proposes to examine the theoretical and critical “new normality” of the figure of the witch, as well as its limits in Chloé Delaume’s  Les Sorcières de la République  (2016). In doing so, it also seeks to question the performative power of literary discourse (by analogy with magical and political speech) and the definition of a possible “sororal” literary canon.

Les Sorcières de la République de Chloé Delaume : Entre normalisation de la dystopie et dénaturalisation des normes