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The following excerpt is drawn from a larger study on Marcel Proust, where I frame the topic of space within the totality of his writings, and I advance a comprehensive reading of  À la recherche du temps perdu  in the light of the spatial terminology that accompanies the aesthetic and existential revelations of  Le Temps retrouvé . More specifically, I reconstruct the reasons behind Proust’s stylistic choices, and I highlight the correspondence between the protagonist’s experience of places and the elaboration of an adequate language aimed at expressing the spiritual content of the book. In this particular passage, I rely on close reading in order to show the assimilation of the truth of experience with the truth of art in  Sodome et Gomorrhe , as it is expressed in the famous account of the sea landscape seen from La Raspelière, and in the last volume.

Hauteur et profondeur dans l’écriture de Proust : une proposition de lecture