English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

I have been using computers to help artists since the mid 1990s. My first collaboration was with wood sculptor Brent Collins, living in Gower, MO. It was prompted in 1994 by a picture of a small wood sculpture called “Hyperbolic Hexagon” (Fig. 1a) [2]. The loop of six holes and saddles is reminiscent of the central portion of Scherk's “2 Minimal Surface.” This correspondence led to an interesting discussion and inspired us to explore what shapes might result, if this paradigm was extended to toroidal rings with a different number of holes, to higher order saddles, or to structures in which the hole-saddle chain was subjected to some longitudinal twist before it is closed into the toroidal loop.

FOREWORD: CAD in the Arts and Creative Media